 
Actress
and singer, Laura Pursell, has release
her lastest CD, entitled "The Very
Last Dance Hall Left in L.A." (Sept/2015)
by Bill Pursell & Laura Pursell (Download
$.99 per song / CD $12.97).
Her
nostalgic, lush and heartfelt voice, Laura
Pursell's smooth west coast vocals are backed
by the genius of her famous father Bill
Pursell, who wrote 8 out of 10 arrangements
and played piano on all 10 tracks. The rich
orchestration, recorded by Nashville's A-team
players. Mr. Pursell is perhaps best
known for his hit record "Our Winter
Love," but also played piano on many
of Johnny Cash's albums in the 1960s, and
worked as a session musician and arranger
for Patsy Cline, Johnny Paycheck, Hoover,
Joan Baez, Eric Andersen, Scotty Moore,
J.J. Cale, Willie Nelson, Dan Fogelberg,
and others. In 1985, Pursell was named Composer
of the Year by the Tennessee Music Teachers
Association.
In
2001, Laura got her first natiopnal recognition,
when she sang for Betty and President Gerald
Ford in Palm Springs. Since then,
she has recorded 5 albums and performed
with some of the greatest jazz musicians
on the west coast. She reached international
acclaim performing in St. Petersburg, Russia,
Dublin Ireland.
ABOUT
THE ARTIST
Singer/Actress
Laura Pursell was born and raised in Nashville,
TN surrounded by music (her father is pianist
Bill Pursell, who had the hit record “Our
Winter Love” (1963) and was a go-to sideman
in Nashville for Marty Robbins, Patsy Cline,
Chet Atkins, Boots Randolph, Johnny Cash,
and many, many others. At 18, she
was cast as Dick Van Patton's niece in a
nationally televised Christmas special,
“The Gift of Song”, starring a host
of country music stars. Relocating
to LA in the early 90's, she studied at
the South Coast Repertory and Beverly Hills
Playhouse and has starred in countless stage
productions all over LA, including "Blue
Moon Dancing" by Ed Graczyk, "In
the City for the Summer" (Variety singled
out her gritty performance), and the farcical,
outrageous "And Then There was Nun"
which played to sold out houses for 2 extensions,
where she did a hilarious sendup of Gloria
Swanson. She was a long time member
of the Company of Angels, LA's oldest repertory
theatre, winning a Dramalogue Award for
her saucy, sword-wielding performance in
the mainstage production of “Zastrozzi”.
She appeared in an iconic video
for Weird Al Yankovic, spoofing Tanya Harding
in the "Mmmm Mmmm" song (where
she did her own figure skating). She appeared
in several episodes of "Days of Our
Lives" and had a small but pivotal
role in "The Landlady" starring
Talia Shire. In 2013, she was cast
as one of the three leads in a hilarious
coming-of-middle-age web series called "Living
the Dream", and in 2015, she had the
starring role in "Only the Moon Howls",
a moving one act which won the Encore! Award
at the Hollywood Fringe Festival. Her performance
was singled out for its "deep emotional
access" and hailed as "heartbreaking",
"truthful", "sensitive"
and "vulnerable". A film version
of the piece is planned for late 2015.
In
2001, she landed a plum role, singing for
Betty and President Gerald Ford in Palm
Springs. Over the years, she has recorded
and performed with some of the greatest
jazz musicians on the west coast. She has
performed in St. Petersburg, Russia, Dublin
Ireland and in west coast venues such as
Spazio, Vitello's, The Money Tree, Barone's,
Monteleone's, The San Ysidro Ranch (Santa
Barbara), Vicky's of Santa Fe (Palm Springs)
and the Canyon Club. She appeared
with Gary Tole's "Legends of Swing"
orchestra and the Doug MacDonald's 13-piece
"Jazz Coalition". She currently
performs every Thursday at Mixology 101
in the Grove at the LA Farmer's Market with
a stellar jazz trio.
Laura
has recorded 5 CD's since 1999. “It Had
to Be Swing" is a collection of swinging
standards featuring some of LA greatest
players and received generous radio airplay
on jazz stations throughout the country.
“Unkissed” is a collection of pop
country tunes crafted by some of Nashville's
preeminent songwriters. “That's What Christmas
Used to Be” is a jazzy big band serving
of Christmas standards with arrangements
by such luminaries as Bob Florence, Scott
Lavendar and Kim Richmond. In 2007, she
co-wrote all the tracks for her 4th CD,
“Somewhere in this Room”. Critically praised
as a concept piece, this CD was chosen as
one of the Top 10 Indie Releases of 2008
by IndieMusic.com. In 2009, Doug MacDonald
and his Jazz Coalition included her in the“Fourth
Stream” CD, singing the jazz standard “Invitation”
with a live orchestra.
In
2014, she was back in the studio, recording
with her dad, the Nashville String Machine,
and a rhythm section boasting the best players
in Nashville. "The Very Last
Dance Hall Left in L.A." is a 10- track
collection of jazz, country and pop standards,
with 2 original tunes. An ode to an earlier
time, this was a historic recording. It
brought her dad back to re-record a tune
he had actually recorded with Patsy Cline
("Strange"). He also revisited
a tune he had previously recorded as a solo
artist for Columbia (" I Can't Help
it if I'm Still in Love With You").
And the co-writer of "Strange"
(Fred Burch) helped shape the lyrics to
the title track.
Bill
Pursell is an American composer and former
session pianist. He had a brief but successful
career as a pop musician before continuing
on as a session player.
Pursell
was born in Oakland, California and raised
in Tulare. He studied composition in Baltimore
and arranged for the U.S. Air Force Band
while serving in World War II.[2]Bill Pursell
studied classical composition under Howard
Hanson at the Eastman School of Music and
earned a master's in composition in the
mid-fifties. His symphonic poem "Christ
Looking Over Jerusalem" (the first
movement of "Three Biblical Scenes
for Orchestra") was the inaugural recipient
of the Edward B. Benjamin Prize in 1953.
Later that decade, he worked with the Nashville
Symphony Orchestra and taught at Tennessee
State University and Vanderbilt University.
In 1962 he signed with Columbia Records,
who released a full-length album of his
entitled Our Winter Love the following year.
The album reached #15 on the Billboard on
the strength of the popularity of the title
track, which hit #9 on the Billboard Hot
100 in addition to hitting #4 on the Adult
Contemporary chart and #20 on the Black
Singles chart. The arrangements for the
album were made by Bill Justis and Pursell,
and the orchestra was conducted by Grady
Martin.
His
follow-up single "Loved" reached
Billboard position 121. Pursell later recorded
for Epic, Henry Stone's Alston, and Dot,
but never hit the pop charts again. He played
piano on many of Johnny Cash's albums in
the 1960s, and worked as a session musician
and arranger for Patsy Cline, Johnny Paycheck,
Hoover, Joan Baez, Eric Andersen, Scotty
Moore, J.J. Cale, Willie Nelson, Dan Fogelberg,
and others. In 1985, Pursell was named Composer
of the Year by the Tennessee Music Teachers
Association.
Pursell
has been a member of the faculty of the
School of Music at Belmont University since
1980. In 1996 he completed his Doctor of
Musical Arts degree (DMA) at Eastman School
of Music.
A
sample of Laura's work is available in MP3
upon request.
Laura
Pursell is managed and booked by Casting
New Lives, for booking information please
contact robl@castingnewlives.com
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