 
Monty
Hall, popular television producer and master
of ceremonies who brought the word “Zonk”
into the American lexicon with his venerable
series Let's Make a Deal, died Saturday
at the age of 96.
Born
Monte Halparin in Winnepeg, Manitoba on
August 25, 1921, he was told following a
scalding accident and a bout with double
pneumonia that he would not live to see
age 30. After graduating from high school
at age 14, he worked in his father's butcher
shop until a benefactor stepped forward
to pay for a college education. Halparin
would graduate from University of Manitoba,
and go on to work in radio (where he legally
changed his name to Monty Hall) on a variety
of programs, though he quickly became known
for game shows. In Toronto, he hosted a
radio game called The Auctioneer, in which
he would offer to buy unusual items from
audience members' pockets and purses. He
also created Who Am I?, in which he would
read a series of cryptic poems leading to
the identity of a famous person. Who Am
I? lasted for ten years.
Hall
would move to the United States in 1955,
serving as a communicator for NBC Radio's
Monitor, host of NBC-TV's Cowboy Theater,
and host of CBS-TV's Video Village. Behind
the scenes, he began developing new programs.
He created a nascent version of a word communication
game that would become Password for CBS.
Among other programs Hall produced: the
game shows Split Second, Masquerade Party,
It Pays to be Ignorant, and It's Anybody's
Guess; the sitcom The McLean Stevenson Show;
and his own series of variety specials for
ABC.
While
producing Your First Impression, he collaborated
with writer/producer Stefan Hatos to produce
a new game show that combined elements of
the previous game The Auctioneer with an
idea Hatos had that was inspired by the
short story “The Lady or the Tiger,” about
a prisoner whose fate is determined by making
a choice between a set of doors. Let's Make
a Deal premiered on December 30, 1963 and
ran continuously until September 1977, with
the show airing in both daytime and nighttime
during much of its run. It would return
again with Hall as host in 1979, and then
in 1984, and once more in 1990. The new
millennium would bring a new version of
the program hosted by Billy Bush for NBC,
and a five-day-a-week CBS version, now in
its ninth season, hosted by Wayne Brady.
Though Hall was happy to pass the torch,
he appeared on both versions of the program
as a special guest host.
Each
Let's Make a Deal program saw Hall tempting
contestants with combinations of known and
unknown items. For example, he might hand
a contestant $400, and then present a curtain
with something hidden behind it, offering
to sell whatever was behind the curtain
for $400. It could be a car or a dream vacation,
or it could have been a donkey, a garbage
can, or a dilapidated wreck salvaged from
a junkyard. Such booby prizes were dubbed
“Zonks” and became a trademark for the series.
Let's Make a Deal was also famous
for the thousands of contestants who showed
up wearing Halloween costumes to play the
game; a gimmick that came about accidentally,
as contestants originally wore suits and
dresses on the program, but eager to catch
Hall's attention and get picked for the
game, they began dressing more elaborately
and outrageously.
Game
show historian and author Adam Nedeff explains,
“Monty Hall was the host but not the star
of Let's Make a Deal. The stars were the
nervous woman biting her nails while her
eyes darted back and forth between the box
and curtain, trying to decide which one
she wanted, and the man dressed as Count
Dracula handing over a thousand dollars
and looking like he already regretted it.
Let's Make a Deal presented emotions, and
it presented people-all shapes sizes, colors,
and ages. Let's Make a Deal was called 'The
Marketplace of America,' because that's
who was watching and that's who was playing.”
Hall's
own talents for tempting and haggling with
players could often go unnoticed by viewers
looking in on the berserk show. He often
conducted himself as a straight man for
contestants jumping and screaming with fright
or elation as the suspenseful game played
out.
When
asked what exactly his talent was, Hall
once said, “My talent [is] I love people,
and I communicate with them.”
Though
Hall was known primarily for Let's Make
a Deal, his calendar each year devoted significantly
more time to fundraising causes. Hall's
college benefactor held him to a promise
that he would someday help another person
in need, and Hall was so committed to that
pledge that on days when Let's Make a Deal
wasn't taping, he could be found at fundraiser
luncheons, golf tournaments, silent auctions,
and telethons raising money for numerous
causes, even traveling from state to state
to host telethons raising money for the
local branches of larger organizations.
In 1970, when a pair of plane crashes killed
members of the Marshall University and Wichita
State University football teams, Hall hosted
a telethon to raise money for surviving
family members.
In
1979, Hall told reporter Jack Severson,
“If you're a member of society, you've gotta
PARTICIPATE in that society. You've gotta
work, you've gotta give, and if you have
talent on top of that, you've gotta perform.”
His
philanthropic efforts were so intensive
that he and his wife Marilyn admitted later
that it caused stress for both of them.
Marilyn Hall, a television writer/producer,
penned an episode of Love American Style,
starring her husband as a man who didn't
spend enough time with his wife because
he was constantly going to charity functions.
At one point, she even asked him to consider
taking six months off from charity fundraising,
even though she acknowledged that he could
never bring himself to do that. His charitable
nature was a self-induced compulsion.
Son
Richard Hall says, “He was an inspiration
to us all the time. He was an amazing person
who single-mindedly made himself successful
and used that to affect the lives of so
many others.”
Daughter
Joanna Gleason adds, “Dad wanted to be a
pediatrician, but quotas kept him out of
med school in Canada. So he used his talent
and used the platform that television gave
him to become a fundraiser…He helped children's
charities, he helped open hospital wings,
among other efforts. So he got to help children,
after all.”
Bob
Boden, a game show producer, executive,
and friend of the Hall family, says, “Monty
Hall was so much more than a television
personality, more than a game show host.
He was an American institution for 60 years
who positively influenced the lives of thousands
of people who appeared on his programs and
who benefitted from his generosity. He will
be missed as an entertainer and humanitarian.”
Hall
received more than 500 awards for his charitable
efforts. He served on the boards of numerous
organizations. In 1975 he was elected President
of Variety Clubs International and in 1981,
was given the lifetime title of International
Chairman. He also won the organization's
International Humanitarian Award. He has
been inducted into the Order of Manitoba
and the Order of Canada. The childrens wings
at Hahnemann Hospital, UCLA Medical Center,
Mount Sinai in Toronto, and Johns Hopkins
are named for him, as are streets in Winnipeg,
Manitoba, and Cathedral City, California.
In 2005, the Game Show Congress presented
him with the Ralph Edwards Lifetime Achievement
Award for Career Community Service.
Hall
was preceded in death by his wife of 69
years, Marilyn. He is survived by two daughters,
one son, and five grandchildren.
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